PANDEMIC (2016)

PANDEMIC (2016)

The cover to the Pandemic Bluray

I was going to review this film about 5 years ago, but something happened in the world that seemed to make it a bad idea, and so I decided that in March 2025, 5 years after the World Health Organisation declared a world wide pandemic, that perhaps it was time to review this film, 2016’s Pandemic, directed by John Suits from a script by Dustin T. Benson, which, according to IMDB, is his only cinematic credit.

That’s a red flag, right there!

When I grabbed this movie on Bluray when it was first released, a pandemic seemed to be a science fiction concept from a zombie movie or a 50s science fiction short story from Analog Magazine. I grabbed this film because I have an affection for Rachel Nichols, who I liked in things like the Amityville Horror remake and P2, which is still a surprisingly ok thriller. Any of the goodwill that I had was lost after spending 90 minutes watching this garbage.

What I did not know about this film when I purchased it was that it is a found footage styled film. As it is I’m not a fan of found footage films. I never find it immersive. I think The Blair Witch Product is a terrible waste of time and money wrapped in an extraordinary marketing campaign like nothing that was seen before or since. I don’t believe the fandom of that film would be as high if the accompanying marketing… let’s call it what it was… lies were as well executed and I’m stunned how easily people are OK with bullcrap in a film advertising campaign but if it was a food stuff that told you you would be better looking and more muscular when it did not do those things, most would want their money back.

Pandemic tells of a world after a horrible virus that changes people into the flesh-eating cannibals that at various stages of viral incubation are still able to reason and use tools… actually, I feel like it’s never made entirely clear though there is a description of 5 level of infection so basically the story can make up what type of infected they have depending on what the story needs.

Rachel Nichols as Lauren

In a compound of uninfected doctors researching a cure, Dr Greer (CSI’s Paul Guilfoyle) assembles a team to rescue some victims who are held up in the city. In this team are Lauren (Rachel Nichols) a New York Doctor working with the CDC, Wheeler (Game of Thrones’ Alfie Allen) the driver, Gunner (Dawn of the Dead (2003) Mekhi Phifer) who acts as the worst security ever and Denise (Missi Pyle from Josie and the Pussycats) the navigator. There are all fitted with protective uniforms that have headcams on them for research purposes, according to Dr Greer, and this is how we get our story.

As you would expect, the mission goes to utter crap and one of the team isn’t who they say they are, and their personal mission may put everyone else in extreme danger…

Mekhi Phifer as Gunner

The first person aspect feels more like the director didn’t know how to set the scene and opted for found footage look for no reason other than utter laziness. It’s NOT immersive. It DOES NOT add to the drama. If anything, it’s distracts from the drama and makes some quality actors look like they are rank amateurs,

Another problem comes from the costume design: you see, when characters spend time talking directly to each other wearing big transparent helmets that are obviously not well ventilated, the screens mist up, and the when light is shined directly onto that mask, the reflection obscures the faces of the actors. This is a another amateurish issue that even the worst of filmmakers who be aware of.

A zombie from Rec… oh no, sorry, a scene from Pandemic

Not that this actually matter too much because these four fairly good actors are simply terrible in this film. At no point do I sympathise or empathise with any of them at all. I don’t think I’ve ever been so disinterested in the plight of characters so much in a film.

There is an occasional bit of gore that works well, but it’s not enough, especially considering some of the CGI fire is utter crap!

This film is basically an amateurish pastiche of Hardcore Henry, Doomsday, Rec and 28 Weeks Later that is so confusing at times with the headcams that you can barely tell who is doing what.

Avoid like, well, the plague.

Menu screen: no extras thank goodness!

Extras:

The disc starts with trailers for Take Down and The Curse of Sleeping Beauty, and that’s the entirety of the extras. Having said that, both these films look low budget and ridiculous but I’m intrigued by both trailers and am going to seek them out!

Film: 1/10

Extras: 2/10

Rewatchability: 0/10

An infected gets his head bashed in

Purchased from JB Hifi. Still haven’t forgiven them for allowing me to do so.

FRIDAY THE 13TH (1980)

FRIDAY THE 13TH (1980)

The Australian Bluray release of the film

Film: So here’s the thing. I have always tried to make my reviews at minimum 500 words long so that at least there appears to be some kind of substance to my writing, but what does one write about a film that had SO much written about it over the years, not to mention countless YouTube videos and Instagram posts. I basically have two choices: start with a long preamble about what new could be written about a 45 year old horror classic to get to the hundred word mark, or just reflect on my thoughts in the film, and how much it means to me, not just as a singular film, but as a series.

Or I could do both!

As you well know, Friday the 13th was released in 1980, was written by Victor Miller and directed by Sean S. Cunningham and is one of the early slashers that spawned not just hundreds of imitators, but a load of sequels, merchandise, and most of all, horror fans.

Now I always do a plot synopsis at this point of the review and I shall here again, just in case there is that single person who has never seen Friday the 13th though i wonder why you would be here on this mainly horror and cult movie website.

(It has since been pointed out to me that this review, even though it is for a horror classic, is actually 45 years old, and how many films did I watch as a young horror fan that were 45 years old. My answer to that was bloody heaps of them, because 40 odd years before when I first became a horror fan was the 40s, when a shed load of amazing horror and sci-fi came out so there’s no excuse.)

Adrienne King as Alice

Friday the 13th tells of Alice (Adrienne King) a young woman helping to get a new summer camp open at Crystal Lake, run by her maybe boyfriend Steve (Peter Brouwer), and the other councillors (including Kevin Bacon before he was cured properly).

The final councillor who is supposed to arrive, Annie (Robbie Morgan) has disappeared on her way to the camp though, and we, the viewers, know that she has been murdered by an unidentified assailant who picked her up as she was hitchhiking on her way there.

Steve disappears into town to collect supplies after Annie is a no-show, and very quickly, the workers start getting picked off one by one. As the body count rises, we are left to wonder… who is the murderer? Is it one of the councillors? Could it be Steve? Maybe Ralph (Walt Gorney), the town crazy… who knows?

Crazy Ralph (Walt Gorney) cuts sick

I can’t express just how important this film is too me. I have so much Friday the 13th stuff in my house: board games, soundtracks on vinyl, action figures of multiple characters, my first Fright Rags tshirt was a Jason one, and the thing that got me interested in vinyl model kits as a teen was a really cool one from the Japanese company Billiken, and then one from Screamin’ soon after.

This is the thing, though: most of that stuff is of Jason Voorhees… and not of the killer in this film. This is it, this is an important film and it launched a whole pile of stuff that i love… but it is not my favourite Friday the 13th film. It is violent and exciting and the cast in it are fine, the soundtrack is amazing and the gore effects are heaps of fun, but its a low budget film and it does show.

Just to clarify I do not thing this film is bad or worthless as it is not, but what it is is the beginning of something that i came to love as a horror fan.

If I am to criticise this holiest of holies in the horror genre, it’s just for a few things. The acting is quite horrible here and there, not all the cast, but a few of them have a very low score in the skill marker for this. That’s ok though, it’s a cheap horror film from the 80s and realistically, we don’t always expect too much and it adds to the charm.

No matter the horror film, Annie (Robbie Morgan) always dies

My second criticism is I feel the film occasionally, in my mind anyway, posits itself as being a whodunnit insomuch as I feel like we are supposed to be guessing who the killer is, like an Argento film or even a Hitchcock, but even though we are introduced to a bunch of weird characters in town with Annie, including crazy Carl, and even have a few moments where some of the councillors seem a bit off, like after one of them kills a snake and there is a lingering look at him musing on the creatures execution, when the reveal happens, everyone goes ‘who the hell is this?’ I keep coming back to this and looking for some kind of a clue but either it’s not there or I am simply a freaking idiot.

The latter is infinitely possible.

I have a lot of affection for this film, but if somebody said to me “want to watch a Friday the 13th film? Your choice!’, this would not be my go-to flick. That’s not to say it’s not a horror classic or it deserves to be rewatched regularly either.

The menu screen for the film

Disc: There is a huge bunch of extras on this disc and whilst I appreciate the volume of content, I must admit that any extra on a Friday the 13th film is overshadowed by the amazing Crystal Lake Memories documentary and accompanying book (or vise versa). These extras are good ON THIS DISC but that doco offers so much more behind the scenes stuff that without plumbing that well, its hard to have original stuff.

Theres a decent Commentary by Sean S. Cunningham but its most of the same anecdotes you’ve heard before: hosted by Peter M. Bracke.

Return to Crystal Lake: The Making of Friday the 13th is fine, but as I stated previously, watch Crystal Lake Memories instead.

A Friday the 13th Reunion is a reunion from 2008 at a convention of Tom Savini, Ari Lehman, Victor Miller, Betsy Palmer, Harry Manfredini and Adrienne King. It’s a cute piece but it’s all the anecdotes you’ve heard before.

The Man Behind the Legacy: Sean S. Cunningham is a short interview with Cunningham on his work.

Lost Tales from Camp Blood Part 1 was written and directed by Andrew Ceperley and it’s an amateurish take of the Friday the 13th movies: I have no idea why it’s on here.

The Friday the 13th Chronicles is more of the same with the same anecdotes but was probably of a previous DVD release.

Secrets Galore Behind the Gore is a very Quick Look at the for through the eyes of Cunningham and Savini.

Fresh Cuts: New Tales from Friday the 13th is again, interesting but not a great deal of fresh material.

There’s also a trailer.

Marcie (JeannineTaylor) axed the wrong question

Film: 7/10

Extras: 10/10 (with the aforementioned caveat)

Rewatchability: 10/10

This film was reviewed with the Australian Bluray release, purchased from JB Hifi.

HOUSE BY THE CEMETERY (1981)

HOUSE BY THE CEMETERY (1981)

The cover to Cinema Cult’s bluray release

I make massive attempts to not be a gatekeeper when it comes to horror. I am almost definitively a live and let live guy. Manos The Hand of Fate is the best horror film ever? Ok, sure thing pal. There’s nothing scarier than an Annabelle film? No worries, junior.

There is a caveat and that is Italian horror: you don’t like it, I doubt your horror cred, sorry, that’s just the way it is. Is it because I’m an arsehole? Maybe. Is it generational? Definitely.

For those who don’t know, let this Gen X dinosaur explain who Lucio Fulci was. Lucio Fulci was an Italian movie director who made his first film, a comedy, in 1959 and was in the middle of making the movie The Wax Mask in 1997 when he tragically passed away, a film eventually finished by Sergio Stivaletti.

Fulci is best know for his horror and giallo films of the 70s and 80s. Such films as the thrillers Lizard in a Woman’s Skin and Don’t Torture a Duckling, the slasher New York Ripper and what most horror films of a particular generation know him for, three unrelated in story but tonally equivalent City of the Living Dead, The Beyond and this one, The House By The Cemetery.

MacColl and Frezza

The House by the Cemetery tells of Dr Norman Boyle (Paolo Malco), his wife Lucy (Catriona MacColl, though listed in the credits as ‘Katherine’) and son, Bob (Giovanni Frezza) are moving to a strange house in New Whittby, Massachusetts so Norman can continue the work of his ex-colleague Dr. Peterson, a man who murdered his partner and then himself.

Strangely, Bob has been having strange visions of a girl named Mae Freudstein (Sylvia Collatina) who has been consistently warning him away from going to the house, something a child obviously has no control over.

Pieroni is up to no good, or is she? It’s not really explained…

Odd things keep happening though as Norman is recognised by several locals even though he claims to have never been there before, and the basement of the house is locked and boarded up… well, it was until babysitter Ann (Anita Pieroni) inexplicably removes the boards one night, but what is down there?

What is going on in the house? What do Bob’s visions have to do with it all? Is there someone else living in the house, or maybe someTHING is dwelling in the basement…

Honestly, I can’t tell you what the hell is going on in this film. There is so much stuff that’s unexplained like characters looking knowingly at each other like co-conspirators, but there time travel involved, are these ghosts… so many questions, so few answers.

Headcheese

I feel like Fulci was trying to make Norman some kind of enigmatic character like Jack from The Shining. All of the recognition from the locals is quite obvious and yet it is not even slightly explored. I kept expecting the film to end with a photo of the house from the 1800s with him standing out the front. It’s never exploited outside of the strange side-eyes and ‘have you been here before?’

There is a lot of fun gore though, and the dubbing of some characters, particularly Bob, is so laughable that it makes the movie even more fun to watch, and between those two things, all that confusion with the script washes away and it just become dumb entertainment.

Whilst this certainly isn’t top level Fulci, it IS infinitely rewatchable: I don’t know why, but it is! Yet another thing I don’t understand about this film!

The menu screen for the bluray

Disc: There’s 4 interviews and a featurette on this disc.

Back to the Cellar is an interview with Giovanni Frezza aka Bob.

Cemetery Woman is a decent interview with Catriona MacColl. Lots of memories of Fulci here.

Finishing the Final Fulci is an interview with Sergio Stivaletti and him taking over the directorial role of Fulci’s final film, The Wax Mask, after he passed away.

Freudstein’s Follies is an interview with Gianetto De Rossi, the special effects man for the film.

Ladies of Horror is a look at various Italian horror movie stars.

These are all High Riding Productions shorts which are all directed by Calum Waddell whom usually works for Arrow Video with these shorts so I am assuming they have been purchased by Cinema Cult for this disc.

All interesting but of varying lengths. There is probably a really good solid singular feature about Fulci in here somewhere, but these shorts have some great anecdotes in them.

Film: 6/10

Extras: 8/10

Rewatchability: 10/10

The real estate agent realises the housing crisis is worse than she thought!

This Australian Bluray was purchased from JB Hifi.