Happy New Year from the To Watch Pile

HAPPY NEW YEAR FROM THE TO WATCH PILE
Just thought I’d drop a my supporters, followers and readers a note of thanks for all the support you’ve given me over the past 10 months.

The TWP was born out of a love of movies and some egging on by a few like-minded friends, and I appreciate that those of you who have taken time out of you lives to stop and read a review, or watch a YouTube did so. This is all done out of my love for movies and comics and toys and stuff, and it’s done part time as I do actually have a full time job which, over Christmas, took up a lot of my time (I manage a ‘toy’ store).

I get frustrated with the site now and again when I can’t get it to do what I want it to do, but I now have it at a point where I am so far ahead of my published reviews that there shouldn’t be any bumps unless something disastrous happens. The regular publishing days should be – movie reviews Monday and Thursday, and Friday will be a roundup of stuff I have picked up over the preceding week. Occasionally I’ll throw in some news or if something cool happens in the world of movies or comics, but I don’t intend on doing death notices anymore here as we are so flooded by this information from other sources, and I’d rather the TWP be about the work that awesome people have done, rather than the sadness of their passing. I will however still make note of those sorts of things on the Facebook page.

Also this year, the Nerds of Oz podcast should start and there may be a few competitions along the way, not to mention months dedicated to whole sub-genres of horror or sci fi or whatever.

Don’t forget, follow me on Twitter at @TheToWatchPile, Facebook at http://www.facebook.com/towatchpile , Instagram at @towatchpile, YouTube at The ToWatchPile and on Letterbox’d at To Watch Pile.
So thank you again for your support, and I wish all of you and your families a heartfelt Happy New Year and hope whatever you want from the next year is delivered to you by a horny vampire, a cyborg from the future, a sexy superhero or a large breasted zombie.

A Little Bit of News…

Yesterday I launched a brother site to this one called Nerds of Oz so I could separate my love of comics from my love of films. I have been a longtime collector of both, and it never felt quite right to have comic reviews, or my YouTube links about comics on this mainly movie related blog.

So from now on, no more comic reviews here at the TWP, you will, however, still get two weekly reviews, usually on a Monday and a Thursday, with an extra one popping up for special occasion, like my bonus Christmas review, coming soon.

Nerds of Oz will feature a Friday ‘haul’ post where I’ll show off my weekly comic or cominc related product post, with an occasional graphic novel, book, toy or statue review, hopefully every Tuesday, but that remains to be seen as I need to balance that site with this one, and make sure both get similar attention.

I hope you continue to support this site, and give my other one a go!

Have a great day!

Justice League Dark Volume 1: In The Dark Review

Justice League Dark Volume 1: In The Dark

As far as I am concerned, the state of mainstream comics, that is Marvel and DC, is in somewhat of a state of horrible flux at the moment. When I was a kid (yes, it’s going to be one of THOSE stories), comics were up to high numbers in their issue count, but those high numbers don’t count anymore as the companies seem to think that high numbers deter new readers from buying the product, but in a world where the movies and TV shows seem to be more popular than the reading matter, I find that that doesn’t really matter anymore.

DC make attempts to reinvent itself every couple of years, and the New 52 was a (now aborted) idea which took everything in the DC universe and completely rebooted it after the events in a company crossover called ‘Flashpoint’. Funnily enough, I was booted from a comic forum as I dared to suggest that seeing as how DC were focused on the number ’52’ that it would only last a little over 4 years (52 months).

I was right, and Convergence, another company crossover, cleaned the slate again, except for the stuff the fans accepted, so basically the DC universe is now built around popularity rather than creativity.

Anyway, enough of my old comic fan whinging, and onto the review of Justice League Dark Volume 1: In The Dark!

Justice League Dark went for about 40 issues and looked at the heroes who are responsible for the darker, more magical villains that may attack the DC universe. This collection contains the first 6 issues of the regular comic collected into one softcover volume. It also contains character sketches by artist Mikel Janin.

The interesting thing about this comic is the abandonment of the Vertigo adult imprint that DC once championed to return these characters back into the regular DC Universe, and as far as this collection is concerned, the name Justice League Dark is the name of the comic, not the actual group.

The group, in this book, contains Zatanna, Deadman, Shade the Changing Man, John Constantine and Madame Xanadu. There is also special appearances by Superman, Wonder Woman, Batman and Dove.

Story: This first book is written by Peter Milligan who is responsible for one of my favourite 2000AD comics of all time, Bad Company. Over his career he has worked for many comic companies, including Eclipse and Marvel, where he did the insane and awesome X-statix with Madman’s Mike Allred. Over the years I have read much of his stuff and been in awe of it… but not this time.

This collection of Justice League Dark really tells of the origin of the JLD, and how their formation is caused by the insanity of June Moon, who has been separated from her Enchantress alter-ego. The regular Justice League attempt to intervene in her threats, but Zatanna brings a stop to that as she knows the forces of magic are above that of the JLA.

Meanwhile, Madame Xanadu keeps having visions of the deaths of those who will become the JLD unless they join together, but all the future members resist… as the Enchantress’s insanity continues…

Like I said, I normally love Milligan’s quirky ideas and writing, and whilst the script in this story is good, I found the story to be lacking something me the character combination to be lacking any cohesion. Was that the point? Maybe, but for me it made for awkward storytelling.

Score: **1/2

Art: The art in this collection is done by Mikel Janin, a Spanish former-architect who has been in comics since 2010. His artwork is of a very European style, me all the characters, male and female are beautiful examples of physical excellence. His layouts are clear and tell the story with some visual excellence. I find his artwork to be reminiscent of Milo Manara’s, but with less genitalia.

The cover by Ryan Sook is cool too, though I find his art occasionally to be derivative of Adam Hughes or Terry Dodson. That means it pretty awesome though.

Score: ****

WIRIA: I probably won’t read this again, but I certainly will revisit the artwork as I found Janin’s style compelling.

X-Men Apocalypse (2016) Review

One from the to watch pile…
X-men: Apocalypse (2016)

X-Men Australian Bluray Steelbook


Film: I got my first X-men comic in 1983. I remember it clearly as I received, like I did every Sunday, two comics when I went with my step-dad to the newsagency to get the Sunday paper. It must have been May or June in that year, and I remember it clearly as I got New Mutants issue 1 and The Uncanny X-men issue 167 and this started a decade long love of the mutant characters until the early nineties when Marvel decided that after being innovators of comics for so long, they now had to copy the ultra-violent stupidity of the first generation of Image comics after those artists and writers jumped ship.

Thankfully Marvel eventually mostly abandoned these imitations and went back to what they do best: solid stories with great art and innovation (though recently best Marvel and DC seem to have lost their ways again, what with Marvel re-living past glories with new versions of Secret Wars and Civil War, and DC with their constant 5 years cycle of rebooting their entire universe).

Aside from all that I do have to admit to loving most of the X-men films. I loved the first two, thought the first was overblown and overdone, then loved the First Class and Days of Future Past films, but how do I feel about X-men Apocalypse? I must prologue this review but pointing out I was never a fan of the character of Apocalypse…

Oscar Isaac as Apocalypse


Which leads us to the plot synopsis for X-Men Apocalypse.

We start in ancient Egypt, where En Sabah Nur (Oscar Isaac), an ancient mutant, is engaging in a body transference to extend his life when two traitorous members of his group cause the temple he is in to collapse around him. En Sabah Nur absorbs the strength and powers of any mutants he body transfers into, and has with his four henchmen, ‘horsemen’ if you will, to help him on his quest for power. All of whom are destroyed by the collapsing temple.

Several centuries later, another group resurrect him and he sees this new world of 1983 to be full of power that he can tap into…

Meanwhile, Professor Xavier (James McAvoy) has turned his family home into a school for mutants so they can learn how to use their powers. Hank McCoy (Nicolas Hoult) help him at his school also. He has several new students, Scott Summers (Tye Sheridan), Jean Grey (Sophie Turner) and Kurt Wagner (Kodi Smit-McPhee) to add to his others that he is already teaching, but when Raven (Jennifer Lawrence) turns up to tell him that Erik Lehnsherr (Michael Fassbender) has gone bad again after the murder of his family that he formed whilst hiding from the law after the events of the previous film.

Michael Fassbender as Magneto


Not only has he turned bad, though, he has also joined El Sabah Nur along with Psylocke (Olivia Mann), Ororo (Alexandra Shipp) and Angel (Ben Hardy) in his quest for domination.

If you’ve got so much happening, you may as well throw fan favourites Quicksilver (Evan Peters, in a sequence that is quite possibly the most fun ever had with super powers in a film), Alex (Lucas Till) and a certain clawed mutant that some people kind of like too.

Will all these good mutants be able to defeat these four horsemen and Apocalypse?

One would assume so, but how will they do it?!?

As you can immediately see by my synopsis, the movie has a LOT of cast and a LOT of stuff happening, and it almost requires the superpower of ‘ultimate attention span’ to keep up with it. Fan service is good in comic to movie situations, but this is ridiculous.

The key to the X-men films, and I guess all comic-to-film adaptations, is that your comic fandom has to be checked at the door, and X-Men Apocalypse is no exception. The movie history and the comic history follow different paths, but one still gets a thrill when one sees favourite heroes pop up, even if their comic history is in a different context.

Outside of those criticisms, the story isn’t bad though, it’s just plot and character heavy. Bryan Singer’s direction is as good as it ever was, and honestly I wish he would do more science fiction outside of the X-men scope.

The key to how clever these post X-men: First Class (2011) X-men films is though is how they still sit in with the other films, even though the timeline has been changed. It was an incredibly clever deus ex machina that was able to relaunch the series from the first trilogy to this one, and realistically, Apocalypse is another one to relaunch the series yet again.

X-Men Apocalypse is a pretty good film for sure, but there is constantly a hell of a lot happening, so don’t turn your back for a second. Thankfully due to their resets, the X-men movie universe doesn’t suffer from the entire weight of, say, the other Marvel Avengers films, in which the viewer has an obligation to see every film across multiple franchises to get the full story. Here at least one only has to watch the ‘X-men’ series, and the Wolverine and Deadpool films are merely garnishes.

Score: ****

X-Men Apocalypse Bluray Menu Screen


Format: This Australian bluray (steelbook) release of X-Men Apocalypse runs for approximately 143 minutes and is presented in an immaculate 2.40:1 aspect ratio with an amazing DTS-HD Master Audio 7.1 Master Audio.

Score: *****

Extras: A nice bunch of extras on this disc:

Deleted and Extended Scenes with Optional Introductions by Bryan Singer. There is a great tribute to John Hughes films in the scene titled ‘The Safety Dance’, these can be watched either with or without introductions by Singer.

Gag Reel is what it says it is, not the greatest of its type but certainly has a couple of funny moments. It’s not an all-day guffaw fest though!

Wrap Party Video is a series of behind the scenes clips put together to music. The title would suggest it was shown at the wrap party. 

X-men Apocalypse Unearthed is a series of 6 mini features which go together to make a complete ‘making of’. I don’t know why this had to be made into 6 smaller features when it could have been one total one, that’s not to say they aren’t interesting though! I have to say one of the greatest things I’ve ever seen is Bryan Singer face timing Patrick Stewart so he could watch James McAvoy get his head shaved so he could be a ‘proper’ Professor X. Is that meta or surreal? I can never tell.

Audio Commentary by Bryan Singer and Screenwriter Simon Kinberg is pretty good, but they get caught up in watching the film and there are a few breaks in the commentary.

Photo Galleries are something I normally hate if it’s just movie stills, but this is an amazing series of pre-production paintings and on-set photographs, so i’ll belay my normal complaints.

There are also a bunch of trailers of the film.

Easter Egg is just a hidden bit that could have been stuck in the gag reel that goes for about 5 seconds. Yawn.

This bluray edition also came with a digital download of the film.

Score: ****1/2

WISIA: Being an old comic fan means I love watching comic movies, over and over again, this won’t be any different.

Two Thousand Maniacs! (1964) Review

One from the re-watch pile, and dedicated to our dearly and recently departed godfather of gore, Mr. H. G. Lewis…
Two Thousand Maniacs! (1964)

The Australian DVD cover for Two Thousand Maniacs!

Film: Those of us who love lots of gore owe a lot to a man who started the fashion of making horror films ‘gory’: Herschell Gordon Lewis.

Nicknamed the godfather of gore, H.G. Lewis got his start in nudie cuties before throwing guts into our lap with his debut splatterfest Blood Feast. The popularity of that film brought us this, his, and producer David F. Friedman’s second horror film, Two Thousand Maniacs!

Two Thousand Maniacs! tells of the beautiful Southern town of Pleasant Valley which is celebrating a ‘centennial’, and need a few ‘Northerner’ guests. So using a duplicitous Detour sign, the townspeople lure two cars, containing a total of six people into town to help with their celebrations.

Two Thousand Maniacs! Thomas Wood and Connie Mason


Unfortunately for the ‘guests’, including Playboy Playmate Connie Mason as Terry Adams, the entire town’s celebration includes death and mutilation of the highest order! 

Who will survive? Will they survive intact?

This film is the second instalment in Lewis’ so-called ‘Blood Trilogy’, along with the aforementioned Blood Feast and the follow years Color Me Blood Red. That’s not to say that’s all he made as his first filmmaking career lasted until 1972’s The Gore Gore Girls, and after a 30 year hiatus, in 2002, he returned with a sequel to Blood Feast, and a new film The Uh-oh Show in 2009!

There’s not much not to like about this film. Sure it’s hokey, and the acting is of a level that aspires to be amateur, and even the effects are not what one would define as ‘special’ but it is just so much stupid fun.

Two Thousand Maniacs! A call to arms!

 The awesome thing here though is that Lewis wrote, directed, filmed and wrote the music for this film, including singing the song that’s heard several times through ‘The South’s Gonna Rise Again’.

Basically it comes down to the fact it’s a simple story that’s a ball to watch, and should be included in any movie watching weekend, especially if you have a newly converted horror fan, and know you’re watching an unheralded classic.

Score: ****

The Australian DVD menu for Two Thousand Maniacs!

Format: This film was reviewed on the Australian release of the U.S.’s Something Weird Video’s approximately 84 minute DVD of the film. It is presented in a surprisingly good 1.33:1 aspect with a decent Dolby Digital Stereo audio track. What should be expected that a film of this vintage, and made by an independent studio isn’t necessarily going to have the sharpest image. There’s a few sound issues as well, insomuch as there is ‘hissing’ when a few characters speak, but it’s intermittent.

Score: **1/2

Extras: Only three extras on this disc. There are trailers for both Two Thousand Maniacs! and Blood Feast, and some outtakes from the making of the film, which aren’t exceptional except for the fact that they are so old and the fact they even still existed was a miracle.

Score: **1/2

WISIA: It’s a gore-lovers classic, you bet it gets rewatched!

Two Thousand Maniacs! The Barrel Roll!