IMMACULATE (2024)
I find that sometimes the best way to watch a film is on the odd occasion when you have been lucky enough to avoid all media based around it. In this day and age that is a difficult thing to do, but I managed it with this film. This film, Immaculate, is knew nothing about: i didn’t see a trailer, no comments on my social media… it just slipped me by.
All I knew about it was that it starred current ‘it’s girl (not a female Pennywise but instead the latest movie star social media crush) Sydney Sweeney, and honestly, the only thing I really even knew about HER was that she was one of the stars of the Sony turd-that-sunk-to-the-bottom Marvel film, Madame Web.
This film was really driven by Sweeney. She first auditioned for the film in 2014, but the film was never made but the story by Andrew Lobel really resonated with her. Later, she pursued the script, took on the producer’s hat and was the driving force behind getting the film made, employing the directorial talents of Michael Mohan, who previously directed her in The Voyeurs and Everything Sucks!
Immaculate tells of young nun, Sister Cecelia (Sweeney) whose parish in Detroit closed down and she made the decision to travel to Italy and take on a role of assisting older nuns transition to Heaven in a convent/ hospice.
The usual jealousies that can happen when an interloper comes into a new environment, but those jealousies escalate when after a few weeks, Sister Cecelia, is discovered to have had an immaculate conception.
The church is dubious at first but eventually excited by the prospect of their environment being the place that the rebirth of Jesus himself may take place. None are more excited than Father Tedeschi (Alvaro Morte), a former biologist now member of the clergy, who seems to be resisting taking Sister Cecelia to a proper hospital, instead keeping the pregnancy amongst only those within the convent, including the in-house doctor, Dr. Gallo (Giampiera Judica).
As the pregnancy continues, the members of the order become more and more strange in the attitude towards her, and secretive… are they involved in this immaculate conception, and who are the clergy in red masks that she keeps seeing…
There’s no doubt that Sweeney’s passion for the project wasn’t unfounded. It is a very clever story steeped in religious iconography but not so deep that someone with only a surface level understanding of Catholicism or Christianity would be lost.
The tale has three very distinct acts which coincide with the idea of the trimesters of pregnancy and each trimester reveals more of the mystery and steadily the situation becomes worse and worse for the main character and more and more exciting for us the viewer.
This film was a pleasant surprise in a world of sequels, remakes and attempts at making ‘universes’ and franchises. I would even say that not seeing anything about the film beforehand was a blessing in disguise.
Disc: There is a series of interviews on this disc: actor/ producer Sweeney, director Mohan, and actors Morte and Giulia Heathfield Di Renzi, who played Sister Isabel, one of the sisters jealous of Cecelia’s choice as the mother of the rebirth of Jesus Christ. These make for a quite interesting collection of information in regards to the film. Well worth watching even though the way it’s presented is with text questions followed by the videoed answers.
This Blu-ray was reviewed with a copy of the film purchased from JB Hifi in Australia.
Digital Retribution 