Renfield (2023)
Disc: Of all the things in the world I never though I’d need, like an underwater car, or a parrot, or skydiving lessons, Nicholas Cage as Dracula was certainly amongst them, but now I’m starting to look at that list… do I want to drive underwater, would a pet bird be fun and is plummeting to my almost certain death from an aeroplane things I DO need, because Cage as Dracula is most definitely something that made me happy.
Renfield was written by Ryan Ripley, based on a treatment by Invincible and The Walking Dead’s Robert Kirkman, and was directed by Chris McKay, best known as the director of the incredibly popular The Lego Batman Movie (2017). Is he the right guy for a horror movie? Well no, but he is certainly right for this amusing look at Dracula and his henchman Renfield.
This film has an interesting take of the legend of Dracula as its told from the point of view of his interred assistant, Renfield (Nicholas Hoult).
This tale takes place in modern day, and after a small recounting of his life as Dracula’s slave (told with some fun deep-fakery with Bela Lugosi’s Dracula film from the 30s) we get stuck right into it as we find Renfield at a support group in New Orleans. This support group is one to help those in abusive relationships, and whilst Renfield initially uses it as a way to find people who ‘deserve’ to be fed to Dracula, he finds some of the stories resonating and that he himself is in an abusive relationship with his master.
Before that though, we find Renfield helping one of the group members who has been abused by her drug dealer boyfriend, who has stolen drugs from the Lobo crime family. On the same night he goes to get him to feed Dracula, the son of the crime family matriarch, Teddy (Ben Schwartz) has delivered an assassin to kill the dealer/thieves and so Renfield finds himself in a three way fight.
By the way, I should point out that Renfield gains temporary super powers whenever he eats a bug, which leads to some funny and gross moments in the film.
The resulting bloodshed results in the police getting involved, and we find cop Rebecca (Awkwafina) hot on the tail of Teddy, to try and avenge her father, a cop killed by the Lobo family.
Renfield quickly finds an ally in Rebecca and in response, and in a petty relationship moment that many of us have endured, Dracula finds himself as a volunteer in the Lobo crime family! So what happens when a crime family, the police and an ancient evil collide? Bloodshed, of course… lots and lots of it.
I like to say I am not a big fan of the horror/ comedy sub-genre, but considering I rate Return of the Living Dead, Shaun of the Dead and Reanimator high on my favourite movies list, I should probably stop saying that. Whilst Renfield doesn’t hit the heights of those three, it is a fun take of the legend of Dracula.
Nicholas Hoult as Renfield is obviously the prime character in the film, and he does the stuttering, doddering Englishman role to a T, to the point I occasionally thought he was doing an impression of Hugh Grant. His nervousness and jittery characterisation of Renfield is a fantastic juxtaposition to the super powered, blood machine that he becomes after eating a bug.
Nic Cage as Dracula is obviously the standout in the film. An actor who seemingly has become a conscious parody of himself in the past ten years has really shone him in this role, as he adapts so many affectations of various other Dracula films including Nosferatu, Bela Lugosi’s performance and even his own uncle’s Bram Stoker’s Dracula film from the 90s. He chews up every scene and delivers both the threat and the laughs with an equal amount of gusto. Honestly, the conscious parody has actually benefitted him in this performance.
Awkwafina is surprising in the cop role, riffing a little bit of Samuel L. Jackson (but there’s not Bats on a mother fucking Plane here) with her foul-mouthed, no nonsense, shouty, abusive, bullying cop. Her and Hoult share a few amazing action sequence too which stand out as high points in both the violence and the comedy stake.
On that: the film has a great look to it and the New Orleans backdrop for the crime family is fantastic. Many of the set pieces are perfect, including the Lobo family torture chamber, and the hospital that Renfield and Dracula have holed up in, abandoned after a major disaster but taking place of a gothic domicile and looking like a run down castle fits perfectly. The fight scenes are also spectacularly silly, and even have a Marvel/ superhero film ridiculousness to it, but with more blood than I care to even be able to understand. There’s SO much I’m sure, even after watching the making-of stuff, that at least some of it MUST have not been practical.
I can comfortably see this in a regular rotation in my re-watch list of films. It’s heaps of fun and tells an interesting tale about abusive relationships, and Cage’s Dracula is spectacularly amazing.
We have a lot of extras on this Australian Bluray release.
There a big set of Deleted and Extended Scenes and a few Alternate Takes as well. As I usually say, the film was neither better nor suffered without them, and the takes used in the film were clearly the best.
Dracula UnCaged looks at Cage’s performance as Dracula, with commentary from co-stars and crew, along with his own affection for the role, based on a childhood love of Nosferatu (1922) and right through to being an adult fan of vampire films. Cage recounts his performance via his personal history with the craft of acting, and with that of his family’s experience with making vampire films.
Monsters and Men: Behind the Scenes of Renfield discusses at the motivation of the film, and its origins and execution. They breakdown everything from the look of the film to the costumes and everything else, all in under 15 minutes!
Stages of Rejuvenation is an interesting look at the make up effects on Cage’s face.
Flesh and Blood looks at the practical effects of the film which surprised me. I had to go back and rewrite a part of this very review because I assumed by the amount of blood that it was CGI and it wasn’t!
Fighting Dirty unpacks the ridiculous and amazing fight scenes that are scrappy and comic-booky but oh-so-violent in there execution!
The Making of a Deleted Scene: Renfield’s Dance is interesting but essentially superfluous as the sequence didn’t make it into the film. I appreciate that they included it as it would be frustrating for all involved if it didn’t get seen at all.
Feature Commentary with Producer Samantha Nisenboim, Screenwriter Ryan Ridley and Crew (they do list themselves at the beginning of the commentary but they shoot out there names so quickly I couldn’t catch them all) is spectacularly enthusiastic and really informative.
Digital Retribution 