
MASTERS OF HORROR: IMPRINT (2006)
In the early 2000s, an amazing TV series was produced called Masters of Horror, created by Mick Garris, where famous horror directors like Dario Argento, Don Coscarelli, Stuart Gordon, John Carpenter and others got to create short one hour horror movies, and Takashi Miike was one of the directors asked to participate.
Notoriety follows director Miike like a haunted shadow of a tortured ballerina whose sole purpose is to cut out his tongue and slice off his nipples. This, his ‘banned’ episode of Masters of Horror, sits well amongst his work. Like most of his movies, the story simmers, and is broughtslowly to a boil. With images of beautiful pain and exquisite suffering that stays with you for a time after the movie has finished.

Based on a novel Bokke Kyote, by Shimaku Iwai (who also had a small role in the film), the screenplay for this film was written by Daisuke Tengan, who has worked with Miike before when he adapted the novel Audition by Ryu Murakami into the wonderful film of the same name.
Imprint tells the haunting tale from the 1800s of American journalist, Christopher (Billy Drago), who travels to an island in Japan in search of the prostitute, Komomo (Michie) who he had abandoned years earlier, promising to return for her. Finding himself unable to locate Komomo, he takes residence in a bordello, where he hires the services of a deformed hooker (Youki Kudoh), but instead of taking her for carnal pleasures, he asks her to tell him a story, and so, she recounts to him the fate of his beloved Komomo, and so begins a story of rape, torture and degradation…

Beautifully shot, Imprint at times is like watching a traditional Japanese painting come to life. The flame haired whores with their blackened teeth take on the appearance of oni or evil spirits, who live on islands and take much delight in the torture of others. Miike’s ability to take the obtusely sickening and turn it into an image of beauty is a gift that few directors have, but he has in spades.

The only real problem I found with this episode of Masters of Horror was Billy Drago’s performance, but I do not think that was his responsibility. Obviously, this film was to be part of an American television series, and the performances were to be executed in English, but as much trouble as some of the Japanese cast members had in performing in English; it seemed that the normally wonderful Drago was being misdirected, and appeared to be overacting. I imagine that this was due to miscommunication from the language barrier between Miike and Drago.
Everything Miike did right with the nightmare of Audition, he has done again here with Imprint. Both brutal and beautiful, Imprint is an experience not to be missed. The extras on this DVD make it a pretty easy sell as well.

Disc: There are 6 extras on this disc.
Imprint: I Am The Director of Love and Freedom Takashi Miike is a comprehensive interview with Miike, not just about this film, but about j-horror and its continuing influence in western cinema.
Imprint: Imperfect Beauty is one of the better spfx documentaries I have seen in a while.
Imprint: Imprinting is basically a ‘making of’ but an extraordinarily good one. This doco features interviews with many of the cast and crew including Nadia Vanessa, the dialogue coach who taught most of the actors how to play their parts phonetically, and is incredibly thorough and interesting.
There is a brief but fairly comprehensive biography of director Takashi Miike.
Commentary is by Chris D from American Cinematheque and Wyatt Doyle of NewTexture.com. While these two really had naught to do with this film, the talk-through is informative, and their discussion about the total influence of western to Asian and Asian to western cinema is enlightening and provides some independent insights into the production and decisions made about this film.
DVD-ROM – screensaver and script (Unreviewed as I have no longer have a PC with a disc drive in it)

The DVD was purchased from Ezydvd.











