WEDNESDAY SERIES 1

I’ve been a fan of The Addams Family for as long as I can remember. I loved the 60s TV show, along with the Munsters, and retrospectively the original comics by Charles Addams. Being a monster kid whose father bought him Famous Monsters, both of these shows really appealed both in aesthetic and design… and they were funny too.
This love led me to love the films starring Raul Julia, Angelica Houston and Christina Ricci, and it was certainly Ricci who stole the show, and made Wednesday a force to be reckoned with rather than just an accessory like she felt like she occasionally was in the original TV show.
Flash forward to about ten years ago when actress/ writer Melissa Hunter did the funny two season Adult Wednesday Addams series on YouTube, which proved that this character actually can hold a lot of water both in the ground laid by Christine Ricci and the fact that everyone loves a goth girl character.

This idea, combined with standard teen detective girl tropes started in 1954 with Edward Wheeler’s New York Nell and popularised by Nancy Drew books in the 1930s which carried forth through TV series and movies of the same name, along with other characters like Veronica Mars, Enola Holmes and many others. Twisting the goth girl Wednesday into a Scooby Doo-like mystery series seems to be a match made in a dark, spooky, black lace decorated heaven.
Wednesday premiered on Netflix in 2022 and thankfully here in Australia, we got a Bluray release… thankfully it didn’t go on the Disney channel other wise we wouldn’t have received a release at all.
Wednesday Series 1 introduces us to Wednesday Addams (Jenna Ortega), who has recently discovered that she has psychic flashes when she touches some people, and is being banished to the school for ‘special’ children called Nevermore Academy, in the town of Jericho, after she emptied piranha into the pool her old schools polo team, and her brother Pugsley’s (Isaac Ordonez) bullies.

Nevermore Academy is where her mother Morticia (Catherine Zeta Jones) also went to school, and the principal is a classmate, Larissa Weems (Gwendoline Christie) and their relationship seems to be uneasy at best, due to the families history, including her father Gomez (Luis Guzman) having been accused of murder around the same time.
Soon after Wednesday’s arrival, two things happen: she meets her super-cutesy, easily-exited werewolf roommate Enid (Emma Myers) whom she is the complete opposite, and a murder happens in the woods outside the school.

The townsfolk blame the students of the school full of weirdos for the murder, and Wednesday, with her new powers, injects herself into the investigation, which brings her at odds with the local law as they know she’s an Addams, and that can only mean bad news.
This show shouldn’t be good. It almost boringly rides the tropes of the loner, the investigator teen, the goth cutie, and almost deliberately references so many school based media, from Harry Potter to Revenge of the Nerds, that it honestly should NOT work…
… but it does, and it does so with gusto.
This would be for several reasons. The first is the absolutely perfect casting. Every character is amazing in their role and Ortega nails the brief, delivering every line with unblinking malice… actually, I don’t think she blinks once in the entire series! Jones and Guzmán are fantastic as Morticia and Gomez, and actually look like they genetically could be the children’s parents. The rest of the cast are also wonderful, and the inclusion of es-Wednesday Christina Ricci as one of the teachers is a delicious nod to the shows origins.
The story is very Scooby Doo, with family ‘handy’-man Thing being a great substitute for the dog, and a fine partner to Wednesday’s Velma-esque stylings and intelligence, but that doesn’t stop it from being a fun investigative story. The sublime comedy is of course what one would expect, with every line dripping with morbid ‘my ancestor was hanged for that very crime’ type stuff. Weirdly, it should get old, but it never does. There’s other moments of carnage that are a great deal of fun, like a statue of the town’s witch-hunting founder being revealed whilst a band plays ‘Don’t Stop Thinking About Tomorrow’ during the dedication. Subtle and clever.
Burton’s style is injected in every scene and works very well with the tale, and I’m not sure the show would have worked so well without it.
I think this show cleverly appeals to such a vast audience as it taps into those who loved the Addam’s movies and it also still delivers the message of ‘being yourself is fine’, something teenagers relate well too.
I impatiently await season 2 of this show, and truly hope that this isn’t lightening in a bottle. I think that this, from an entertainment and a product point of view, is actually perfect. I will admit though that the Rewatchability isn’t high as with most detective shows because once the secret is revealed, it’s hard to maintain the highs of the show.

Extras: Sadly, nothing! I would have loved some behind the scenes stuff, or even some of Burton’s design drawing which I’m sure were as much fun as all his product.
Film:10/10
Extras: 0/10
Rewatchability: 5/10

This Bluray was purchased from JB Hifi







